

Opening with the sun-dappled The Way You Love Her, lazy lo-fi guitars bend in a heartfelt admission before settling into a lonely gaze, as distant keys hum beneath fuzzy slow. Lastly, turn on the Chorus I effect to complete the sound. The slacker-rock scruff of Canadian Mac DeMarco breezes into town once more with Another One, the mini-album follow-up to last years acclaimed second album Salad Days. To set the vibrato speed, set the rate fader in the LFO section to 1.24 Hz with a delay time of 0.23. This controls the amount of pitch modulation, and finding the sweet spot is the key for many patches. Buy Another One: /products/another-oneFollow Mac on Spoti. Set the decay fader to 7, sustain to 0 and release to 5.5.įor the pitch vibrato, set the oscillator’s LFO fader (at the top-left) to 1.3. Official music video for Another One by Mac DeMarco off his album, Another One. To create some movement in the patch, set the filter’s env fader (envelope modulation) to 2 and set the VCA switch to env, which will set both the filter and the volume to be controlled by the ADSR envelope.

Set the main VCF filter’s frequency fader to 6 and resonance to 4, which will filter out some of the high-end, but still leave plenty of high-mids. Raise the HPF filter to halfway, which will filter out some of the bass-end frequencies.
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The patch can be created in TAL-U-NO-LX, a fantastic and inexpensive software emulation of the similar Juno synths.įrom the default setting, turn on the square wave DCO and reduce the sub-oscillator volume to halfway. The Chamber of Reflection lead synth was recorded on Mac’s Roland JX-3P, a vintage synth with a highly recognisable Roland chorus sound. The melody and chords are interpolated from the Shigeo Sekito song The Word II, reworked with vintage synths. In a not-so-secret message at the end of his 2015 mini-album Another One, Mac DeMarco offers up his home address in Far Rockaway, New York, inviting listeners to 'Stop on by, Ill make you a cup of coffee.' Four albums into his relatively young career, the transplanted Canadian has already earned a playfully eccentric reputation. Chamber of Reflection stands out on Salad Days as the only song that replaces Mac’s signature chorused guitar with swirling layers of synthesizers.
